My Conflict With Sudhir Mishra

Recently, I saw Khoya Khoya Chand which was on my list of films to watch right from the time when it was released in 2007. I cant say why I could not watch this earlier but can only say well it could not just happen. Anyways, finally I have watched it and ever since then I am thinking about Sudhir Mishra and his films.
From a brief filmography as a director that he has, I have not seen many films but those I have seen, like K.K.C., had all been on my list for quite a long time before being watched. I had long been waiting to watch Dharavi and Hazaaron Khwahishen Aisi and could only watch them only a few months back. Few things were in common in these three films that I could notice.
The first thing was that all these films were artistically great as far as the individual performances are concerned. Be it Om Puri & Shabana Azmi in Dharavi or Kaykay Menon, Shiney Ahuja & Chitrangda Singh in Hazaaron... or Shiney & Soha in Khoya..., everytime Sudhir Mishra has done a great job in bringing us such fine performances.
The second thing that I could observe was Sudhir's commendable hold on the varied topic and the even more diverse backdrop of the films. The bumbaiya masti of the jhoparpatti in Dharavi can easily be seen in whole film. The student politics of Delhi university and the naxalite movement in Bihar became the issues in Hazaaron....... and indeed, I, till date, have not seen a better use of bihari accent of bhojpuriya hindi in bollywood. Everytime, this accent was used for comedy purposes in hindi films but Sudhir in Hazaaron..... gave it an altogether different look. Special mention of Dil Dosti Etc. which also saw a great use of that particular accent. Khoya... saw a periodic drama with the hindi film industry of 50's ad 60's as the backdrop and with the use of the brown filter in the whole film Sudhir managed to take us through that very era. Really commendable!!!
The third thing that I noticed in common to all these three films was my conflict with Sudhir Mishra. The movies are packed with such powerful performances from the leading artists of the industry everytime but fail to connect to me and, I am sure, to a large chunk of audience also. With such wonderful topics in hand and a commendable hold over them, why does the movies look out of sort and actually boring sometimes is the essence of my conflict with Sudhir. I look to him (rather he is presented) as a mature film maker, still he fails to maintain a momentum in his film that could have managed to bind audience with throughout the length of the film. Many a times while watching these movies, I was not able to understand what actually he wanted to show us. For eg in Khoya...., I was not able to make out what exactly was the film about. Was it about an exploited girl in the industry or centredness of the industry on a particular powerful star or the struggle that the newcomers face in this industry or a personal conflict between two talents or the industry of 50's as a whole? Such confusing issues are common in all the three Mishra films that I have seen and I can see only two reasons to that; either he himself is a bit confused about what he wants to show or he is trying to showcase his talent and while doing this ends up doing a lot of things that finally point into different directions and lead us into confusion.
Earlier, I mentioned about the essence of my conflict with Sudhir Mishra. What exactly is the conflict between me with Sudhir Mishra is that despite all these facts that I pointed out earlier I still want to watch his films more and more. May be, this is because of the fact that he brings for us something that is different from the mainstream everytime and presents us with something that is drama but a drama told in a different style. I don't know why but yes, I won't deny, I am looking forward to his next film..................................................................